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It sounds obnoxious and horrifying, and there are times where it is, but it’s also very clever and funny with how it both presents and digests the range of thoughts on the subjects (personally and politically), and ultimately Kahn uses it to draw a compelling formal ouroboros of how impossible it is to fully comprehend (and by conscious of) the consequences of your words but that that does not at all exempt you from them.
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Bodied takes that style previously established in his post-postmodern teen slasher riff Detention a step further by situating it in the current discourse of identity politics taking pot-shots at but also often considering the modern arguments surrounding free speech and performative wokeness. Joseph Kahn’s music video background has colored his relentlessly kinetic, blistering pop ADD filmmaking, one that is the closest the movies have ever gotten to resembling what the navigation of thoughts and spaces by the Extremely Online Millennial feels like-I, unfortunately, know this from experience. In return, the comedy falls a bit flat but there is still enough moments of amusement to garner a watch–and certainly stay for the entirety of the end credits, in which the film finally lets loose from its structure and tears-inducing laughter finds its way in. That conceit is mostly disregarded here as Aukerman opts for a highlight reel-feel to the many, star-studded interviews. Part of the awkward charm of Ferns was having to sit through the cringe-worthy, insult-spewing interview for an uninterrupted five minutes or so at a time.
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Directed by co-creator Scott Aukerman, the Netflix movie Between Two Ferns: The Movie finds an entertainingly evil Will Ferrell sending Zach Galifianakis and crew on the road in a mission to capture ten episodes in the span of two weeks failure means his show done and success will bring his very own Lifetime channel talk show.
( full review)īetween Two Ferns: The Movie (Scott Aukerman)Īfter ten years of web episodes, Between Two Ferns is staying on the internet–but it has expanded its format. Either a celestial body interrupts their path to slingshot back or they simply drift forever. So despite having enough self-sustaining electricity and algae (for air and food), there’s no way to return onto their necessary trajectory. Expelling it may save them for the moment, but without it they cannot steer. Unfortunately a screw breaches their hull anyway, pushing their nuclear fuel supply to critical mass. But there’s a first time for everything as a small field of debris forces Captain Chefone (Arvin Kananian) off course. It’s a routine trip that’s never run into problems with many passengers already having family on the red planet to greet them upon arrival. The title shares its name with a city-size spacecraft ferrying humans from Earth to Mars in barely three weeks.
SATYAJIT RAY PATHER PANCHALI FULL MOVIE ARCHIVE
Check out this week’s selections below and an archive of past round-ups here.
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With a seemingly endless amount of streaming options-not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms.